“All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.”
Halloween looms. I love Halloween. I don’t do anything, really. I’m not often accused of being a social butterfly. And we only get about four kids trick-or-treating. (It’s a burden having a giant bowl of unclaimed candy!) It’s Fall, though. The leaves are changing and padding the ground. The temperature is dipping, and pumpkins dominate the produce department of every grocery store.
Though I don’t really go out and celebrate Halloween, I do enjoy the lore. I used to be keen on watching all the scary movies—the more gore, the better. But nowadays I tend to stick to a few classics that I’m drawn to every year. Of course no Halloween would be complete without Hocus Pocus, Practical Magic, Sleepy Hollow, *the* Halloween movies (Because, Michael Myers!), and Ghostbusters.
I always wonder why it is we spend so much time and money to scare ourselves. What with the costumes, the tickets to the latest slasher films, haunted houses, housefuls of decorations, etc—we spare no expense in curdling our own blood, despite the fact there is already so much out there to fear.
Of the plethora of scary topics, I was scrolling through social media not long ago and I saw a satirical image that I find inherently frightening. Perhaps not in the way that causes one’s hair to stand on end or heart palpitations, but it’s frightening nonetheless.
The image, by artist John Holcroft, depicts a book in the shape of a coffin and the nails each depict a different social media outlet. The artist is clearly predicting the imminent death of literature, with social media to blame for its untimely demise. Now, as a writer, this scares the hell out of me. I don’t think it is that society doesn’t still enjoy a good story, but because social media plays such a huge role in our lives now, the way people want their information has changed. We get our news as we scroll Facebook while waiting on our doctor’s appointment. We prefer our interactions 140 characters at a time. Does this prevent people from reading books? Have our attention spans diminished to the point where cracking a book and making it to the end is a foreign concept?
A 2016 Pew Research Center survey cites that 26% of American adults hadn’t read a book in the 12 months prior to the survey. 19% of those adults had also not visited a library in those 12 months. I suppose those are fairly small numbers, and may not on their own suggest the demise of literature…but there’s more. In another study, it is suggested that approximately 50% of American adults cannot read past an 8th grade level—with a whopping 33% of high school graduates who are unlikely to crack open a book for pleasure after they graduate high school.
What then might happen with the children of that 33%? Will they have a love of reading instilled in them or will that skip them, causing that number to rise over the years? Surely, as with most technologies, social media is going to continue to grow, evolve, and firm up its grip on society.
Does that in and of itself have to be a bad thing though? I hope not.
I’ve never really done much as a writer or a reader when it comes to WattPad, but my understanding is that it is pretty much a social media+writer’s delight. Perhaps it will help keep the love of reading and writing alight in the hearts of teens and young adults while satiating the addiction of social media.
The scariest statistic I came across, though, is this: 80% of US families did not buy a book this year (statisticbrain.com: August 4, 2017). I’m not statistician, obviously, but this number seems awfully high. It doesn’t state whether it refers to print books, eBooks, a combination, picture books, etc. I suppose some factors may have inflated that: used books might not be counted, lending libraries, thrift stores (where I buy a lot of books, personally), children’s books, etc. etc.
Other statistics to note:
US Inmates who are literate: 15%
Books started that are not completed: 57%
US Adults who haven’t been in a bookstore in 5 years: 70%?! (How do people resist?!?!)
It isn’t surprising to me that with statistics like these, John Holcroft foresees the death of literature. Personally, I don’t think literature will (or could ever) die. It has already evolved. Can you imagine what Walt Whitman, Charlotte Brontë, Mark Twain, Jane Austen, or any other pre-internet age author would have thought if you’d said to them that people would one day be able to get their work through their telephones? Or that one day there would be a way they could write and share their work instantly with the whole world? The publishing industry and writers alike are already adapting and dipping their toes in possible solutions to attract new readers.
What do you think? Have you personally noticed any changes in the reading habits of your family, friends, or even yourself? Is literature dying or thriving?
Until next time, happy writing…and for crying out loud: HAPPY READING!
I sometimes wonder if other authors grieve their characters once they’ve finished writing a book or series. I finished writing Sex, Love, and Formalities a few weeks ago, with minor tweaks here and there based off editor and/or beta feedback…but for all intents and purposes, the story of Briella Logan is finished.
She’s the first character I’ve ever created who has seen the finish line of not just one, but two books. She’s my first entry into the publishing world. I’ve spent over two years agonizing over her syntax, her emotions, her likes and dislikes. I know the lifetime of backstory that readers will never know.
For instance, when Briella was in high school her father was in the hospital and when he came home, Brie made him dinner and he said it was the best thing he’d ever eaten—and that’s why Brie decided to become a chef. It *never* comes up in either story, but I knew how she came to that decision. I know that she secretly listens to Alanis Morrisette while she cleans house, but changes it to something else if someone comes home because she’s embarrassed to be seen dancing around using a whisk as a microphone.
I know why Liam never, ever mentions his parents. I know that although Liam fawns over Brie’s gourmet cooking, he sometimes craves overcooked Toad in A Hole like his grandmother made him on the nights his mom abandoned him on her doorstep. I know Liam doesn’t like horror movies because he hates not being able to help the damsel in distress.
If I am being honest, I’d write a hundred more Brie and Liam books because I just adore writing them. They’re not always the best versions of themselves they can be. They’re flawed. Perhaps that’s what makes them so real to me.
I won’t write a hundred more books about them, though. I will probably never write another book about them. I’m comfortable with where I’ve left them. I feel like it’s finished and nothing further would do them justice. (Not to mention I have other ideas and characters to bring to life!) But I will miss them. I’ll probably catch myself daydreaming about what Brie is doing. I’ll write a recipe and wonder if it’d be up to snuff in her eyes.
I don’t know if I’ll always feel this attached to my main characters, but in a way I almost hope I am. I hope I always care this deeply for getting their stories just right. I hope I always find myself this invested in the lives of my characters, because I hope it always translates in the writing.
Please don’t think me crazy. Brie and Liam, Alex, John, Kara, Heidi…they’re just characters I had floating around in my head and I gave them some dialogue on the page. Trust me, I know this. But I hope if you happen to pick up a copy of either SL&Technicalities or SL&Formalities, you’ll adore them as I do.
I know it’s not uncommon for readers to feel sad when they say goodbye to beloved characters, but writers speak up! Have you ever felt saddened to finish writing a book or series?
Until next time my lovelies, happy reading and writing!
The conclusion of Briella Logan and Liam Abbott’s story, SEX, LOVE, & FORMALITIES, will be available in paperback and eBook on November 28, 2017.
A professional writer is an amateur who didn’t quit. -Richard Bach
As a teenager, I was never the student who giggled when the sex-ed teacher talked about hoohoos and whatsits, nor when the music teacher said pianist. In fact, I looked my nose down at my fellow pupils who partook in such cheap kicks.
But dangling participle? That floored me every time. I don’t know why. But this isn’t a post about far-fetched double entendres, no. It’s a post about the editing process and having someone rifle through all your dangling participles and misplaced modifiers.
Yes. Another editing post. Good writing is, after all, a product of editing.
Just last night I came across a blog post by a dear, sweet friend of mine, the illustrious and talented Vania Rheault. (Her Twitter | Her Books | Her GoodReads) In this post, Vania talks about the highs and lows of enduring the process of a professional edit. Please, please, please check her post out here. She will inevitably do a much better job of articulating what it feels like than I will.
Not only is Vania a wonderful friend, she also happens to be my editor. (And I agree with Vania’s post—having an editor makes me feel like a professional writer.) She’s my first true editor, and every time I read one of her notes (her many, many notes) I realize just how blessed I am to have her.
Since her original blog post inspired this one, I needn’t shy away from saying that having a professional editor is a blessing and a curse. She knows. It hurts. It stings. It makes me want to cry in the shower. But good heavens, what an education she’s giving me.
This is my second full-length manuscript, and I do feel I’m a better writer now than when I completed the first. But holy cow did I make Vania work harder than I should have. I felt terrible that so many of the things she caught…I hadn’t. Of course, when she pointed them out to me I saw them clear as crystal.
Writers have a special kind of blindness, don’t we? I think we find ourselves so wrapped up in the excitement of our ideas, or that special bit of prose we hold in such high esteem, that we forget that even the most seasoned writers have literary crutches they shed during multiple rounds of edits.
My crutches are elementary. They’re embarrassing. And she catches all of them. The first pass she made through my manuscript, I was certain she’d lost all faith me because of the sheer number of errors. But she didn’t. She encouraged me.
So, since the sting of embarrassment is still fresh in my writer’s soul, I might as well air all my dirty laundry and let you in on my three most personally shameful mistakes in hopes you will catch them in your own work before your editor gets them.
When we’re in the throes of passion with our first draft, we often find ourselves tapping away at the keyboard so fast that we shortchange our vocabulary for the sake of getting words down. Then we write gems like this:
Once we got there…
She didn’t get it…
We hadn’t gotten far…
Get and got are such lazy verbs. They’re first draft words.
Once we arrived…
She failed to understand…
We hadn’t traveled far…
These small improvements add up and make for far stronger work. Seek and destroy weak verbs!
This particular crutch of mine grated at my nerves when I realized how many littered my manuscript. When I attended college, my English professor hammered into our minds that overusing was/were weakens our work, and if she’d gotten her hands on the first document I sent Vania…I’d have lost my 4.0.
On the way to the concert, we were singing along with the radio.
He was running in the marathon to impress his girlfriend.
She was hoping the cake she was planning to bake would meet her grandmother’s standards.
Was/Were = -ing = weak
On the way to the concert, we sang along with the radio.
He ran in the marathon to impress his girlfriend.
She hoped the cake she planned to bake would meet her grandmother’s standards.
These are an easy crutch to have, and a hard one to overcome. Stephen King says the road to hell is paved with adverbs. If you are unaware of what one of these nasty buggers are, they’re the -ly words that exist to describe your verbs. They’re a bit lazy, and often times they communicate that the writer isn’t confident in their ability to convey an idea. I’m going to combine some of these three crutches to drive my point home:
She had gotten so angry, she loudly closed the window.
Happily, they were skipping back home.
I was crying quietly after reading the first round of editing notes.
I bet Vania is cringing. 😉
Her face burned white-hot as she slammed the window, rattling the panes.
Neighbors two blocks away heard laughter as the siblings skipped home.
Without a peep, tears welled in my eyes after I’d read the first round of editing notes.
Rewriting, revision, editing: These are the things we cannot take lightly. No matter how much it hurts, I’m grateful whenever Vania slashes away at my pages. I’m happy to mop up the mess. Should you have an editor take you on, you cannot take their notes as a personal affront. They endeavor to make your work better. In the end, they’re only making suggestions. It’s up to us, the authors, whether we take their advice. That said, it is our duty as authors to learn from our mistakes and hope that in the next manuscript, our editors find less to correct.
Now if you’ll pardon me, I must get back to the gut-wrenching reality that I am, in fact, not perfect.
Ugh. It’s Monday. We must all drudge back to our places of work and cope with a certain amount of monotony until we get to fight traffic to get back home. But, it’s also the day I have penciled in to really get cracking on edits and revisions of Sex, Love, and Formalities. Now, this post is going to be in three parts: A little bit of editing advice. A character confession. And an invitation. Let’s dive right in, shall we? Continue reading “Won’t You Be My Beta?”→
“We have to continually be jumping off cliffs and developing our wings on the way down.”
– Kurt Vonnegut Jr.
So the other day, Brittany Pettegrow asked me if I would be willing to join her on a webcast this coming Saturday (8/5), to talk about the glamorous writing life. Because Brittany is awesome and amazing and hilarious, of course I said yes—even if my introverted spirit immediately began comprising a list of a hundred reasons why this is a bad idea. But, I gave my gut instinct a quick uppercut to the chin and didn’t back out.
Then I logged into Twitter this morning, as I do, and I noticed that I had been tagged in a tweet by her loveliness. Lo an behold, she had created a promotional tweet for the webcast and it turns out that she’s put together a lovely panel discussion on the topic of traditional publishing versus self-publishing. Here’s the lineup:
•Cori Lynn Arnold rounds out the panel as an author who has been both self- and traditionally published.
Now, as terrified as I am of cameras and sounding like a bumbling idiot on a live webcast, I am extremely excited about this topic. Why? Because I have a lot to say. Why do I have a lot to say? Because as shy as I am, I’m even more opinionated. Also, I know that this isn’t going to be an all-out attack on anyone. I’m not scared these ladies are going to tear me down. That’s just not their style.
So, Aila, why the crisis of creative faith? Because as soon as I realized the topic at hand, I knew that the vast majority of whomever watches this webcast is likely to believe that there is little merit in self-publishing. There are just a few preconceived notions out there about the indie-industry. 😉 For a nanosecond or three, that made me feel… inadequate. Like the underdog. But who doesn’t love the underdog?!
In order to prepare for this webcast, I decided to clear my head and shake off this crisis before it could get the better of me. I know my reasons for believing in myself and self-publishing, but I needed to figure out how to convey them properly, so I went to my thinking spot and did some thinking.
Without further adieu, here are some of my thoughts—the good, the bad, and the ugly—on self-publishing.
Yes, Amazon is beyond flooded with really bad Indie Books
I cannot argue that it isn’t easy for absolutely anyone to call themselves an author these days. You write a few words, you stick it on Amazon for nothing, and you slap a price tag on it. Boom. You’re an author. The truth is, this is as beautiful as it is frustrating. It might really be someone’s dream to write a book set in the Wild, Wild, Dystopian West about a zombie-Saloon girl who stumbles upon a portal to the galaxy of Ishicon-7-Alpha-Nyablar-Blue. Hell, that doesn’t sound like one book, that sounds like a series. So they write it. (That’s the beautiful part. They’ve followed their dream.) But they don’t realize that there is much more to being an author than merely writing a book. They slap together a cover on MS Paint (let’s not pretend that this doesn’t happen) and then they hit the submit button and now the whole world can get that bad boy on Kindle. It might be riddled with dangling modifiers and plot holes large enough to swallow I7ANB (for short), but their book is now available alongside yours and mine.
While it’s hard to believe that many dedicated writers out there would settle for putting out third-rate work, there is a subset of people who truly believe that cranking out a slew of titles will make them rich. They think writing is an easy way to make a quick buck, and the more titles the better. So, you get a virtual ton of books that look like a drunk second-grader wrote them during a time-out. This is very frustrating to those of us who aren’t writing for the riches, though riches would be nice, but because we have a story we want to tell…and tell it well.
Writer vs. Author
Some people debate whether someone can actually call themselves an author if their work isn’t published by an actual publishing house. After all, the aforementioned hypothetical writer shouldn’t be placed in the same league as, say, George R.R. Martin or JK Rowling, should they? You can’t deny that they wrote their book, but you don’t want to give them the same title as your favorite author. So, you just lump us into two categories: Self-Published Writers and Published Authors. I actually see the logic behind this, however, I don’t necessarily abide by it. (Truth be told, generally I use the two terms interchangeably and I think a lot of people do.)
When people think of traditionally published works, they envision that a writer sells their idea to an agent first, then the agent sells the work to a publisher and poof! the writer is now an author. The publishing house assigns an editor to polish up the manuscript before handing it off to a designer, who then hands it off to a crack team of advertisers. What does this author do now? They sit at home, counting their stacks of cash and get started on the next book.
But that isn’t exactly the case. First, it can take years and years for someone to even get an agent, and then the wait begins to get a publisher. Book advances for new writers are not usually enough to live off of (though, generally more than most Indie-Authors will make from a single title), and then once the book does go to publication, the author (and their agent, I’m sure) have to do most of the grunt work to promote the book. The author is still responsible for managing their blogs, social media, website, etc. And then they also have to hope and pray they sell enough to pay back their advance so they can get royalties. (It’s called an advance for a reason, kids.) Why do they hope to get to royalties? Because they’ve likely spent most of their advance on promoting the book.
This is where I see a difference in Indie Writers vs. Indie Authors. Maybe I’ll be put on blast for this, but this is my blog…so my opinion. We’ve established that anyone can put together some words and submit their first-draft as a completed work on Amazon then go on to writing the next, then the next, then the next. I think we cross that line from Indie Writer to Indie Author when we start wearing the additional hats. We can’t just write. We have to edit, rewrite, design, publish, promote, get the coffee, market, advertise, get the coffee, schedule events, run a website/blog, get the coffee, etc. When writing becomes more akin to running a small business, I think that it is safe to say we’ve arrived at authordom.
Indie Authors are pretty freakin’ hardcore
Pretty much every day, we face an onslaught of negativity from all directions. Many times our loved ones don’t take us seriously, the writing community might not take us seriously, and it can be difficult to get readers to take us seriously. But, we tell ourselves that it’s okay. We will smile and offer up whatever spiel we’ve worked out, try our best to present our work, and hope to change your minds. For the Indie who takes this industry seriously, we’re only putting out work that we believe to be high-quality. Is it always perfect? No, but I’ve picked up books on the shelves at B&N and found missing words, misplaced commas, and smudged ink. But, though our battle is always uphill, we still try and reach readers every day.
Of all the various forms of entertainment, our writing Indie sect has it the roughest, I believe. Think about it. Sure someone might make a sly comment about an indie band not being good enough to get a label, but they’ll still listen to a song and often times their opinions will change because the band is really good. Indie films have cult followings. Perhaps an even better medium to think of in today’s society is YouTube. Anyone can have a YouTube channel these days, the vast majority of which would be considered Indie. Not all content being published on YouTube is quality, but when the presenters put in the time and effort, they can produce network-quality shows with huge, money-making audiences.
For an Indie Author, though, we have to go through a lot of hoops in the hope that someone will simply read a sample of our work because reading is perceived to be more of an investment of time than listening to a song or watching a video. (Granted, most traditionally-published authors find themselves jumping through these same hoops.)
Many authors, myself not included, create YouTube channels as a means of connecting with an audience. Potential readers may have to watch hours and hours of content before spending 3.99 on an ebook. We go to a great length to find and engage our readers, to a degree that I don’t think indies of other mediums find necessary.
Indie Authors have a genuine interest in the success of other Indies
This is the part I love the most, I think. The Indie Author community has a great stake in the success of everyone in it. We share our trade secrets all the time. I think of Joshua Edward Smith who just wrote a really great rant, as he calls them, on how to correctly insert text messages into novels. Texts are such a integral part of modern day society, they’re bound to show up in novels more and more, and there are some really confusing ways writers have been writing them. Joshua writes them very well, and he could have easily kept his method to himself, letting other writers continue to trip all over it and make a mess on the page—but because he did share, WriterEtte PensBrooke’s debut novel will read much more cleanly and will be well-received now. Joshua is helping to legitimize Self-Publishing, one piece of advice at a time. (Not to mention the stellar novels he’s self-released!)
And most Indie Authors are trying to do the same thing. When I tweeted not long ago that my fellow writers’ hard work is valid, and that I want to see them become successful in their writing endeavors, I meant that wholeheartedly. (Whether they self- or traditionally publish) I love that we live in a time when it is easy to share our stories, even if it means we have to tread some really murky waters to find the true gems.
There will always be really terrible books on Amazon, just as there will always be really terrible books on the shelves at your local B&N. The fact remains that a lot of Indie Authors are working just as hard on their books as their traditional counterparts. Don’t be so quick to write us off. (See what I did there?) Publishing house or not, there are some really great authors out there. We’re just hard to find sometimes.
Until next time my loves, keep writing, polishing, and hustling!
“A teachable spirit and a humbleness to admit your ignorance or your mistake will save you a lot of pain. However, if you’re a person who knows it all, then you’ve got a lot of heavy-hearted experiences coming your way.” -Ron Carpenter, Jr.
So as I mentioned last week, my launch day wasn’t the thrill it was supposed to be. I didn’t tweet about my book–and haven’t once–since then.
I’m sure my husband would protest, (HA!) but alas: I am not perfect.
Instead of pouring my heart and soul out, let me just give you a little lesson in all that went wrong for me on that day and the days leading up to it. If I had a nickle for every red flag I overlooked, I could quit my day job. (If anyone wants to send me nickles to get that process started, my P.O. Box is… *wink*) In all seriousness, please learn from my mistakes.
Without further adieu:
1.| I should have recruited more help. The people helping me were FANTASTIC! But, I should have had people reading the eBook in multiple formats, because I wasn’t just putting it on Amazon. I was using IngramSpark and my book appeared on Amazon, iBooks, Nook, and obscure Japanese websites for whatever reason. So, while the formatting may have been decent on one platform, it wasn’t on all and this was something I didn’t consider. Mostly because…
2.| I purchased a layout for my novel. [This isn’t exactly a mistake, but there were definite lessons to be learned.] I’m not ashamed to admit it, I wasn’t getting results on my own that I was happy with, and I didn’t have time or patience for learning InDesign on the fly, so I purchased a Word-friendly book layout that was supposed to translate perfectly from print to eBook. I am 99% sure I even paid a little extra for the duality. I’m debating on whether to link to the company because I am quite frankly debating on whether I will use them again. Their information is listed in the front matter of the book because a.) it was a requirement of purchasing the layout and b.) because I’m thrilled with the way the paperbacks look.
However, what I did not, can not, and will not like or understand about this is what happened to the metadata of my eBook. This company automatically inserted itself in the metadata as both author and publisher of my book. And my eBook layout problems only seemed to occur whenever I corrected the metadata. For legal reasons, I will not say that they were definitely the cause of my eBook layout problems, but I will say that it is a matter I am still looking into.
3.| Every time I needed to fix an issue with the eBook, it cost me $25 to do so. This was my fault, 100%. I knew that when/if I needed to make changes to the print version that it would cost me $25. I did not know the same applied to the eBook. With the layout problems I was facing, this was staggering. I am singing IngramSpark’s praises because they did not give me any trouble whatsoever when I asked begged them to release me of my eBook contract. Within 48 hours every trace of my error-riddled eBook was off the market and it was mine again to obsess over and check for those blasted formatting errors.
Side note: If you’re going the IngramSpark route, I will be doing a more thorough review of my experience with them, but I will say this much quickly: Unless you are absolutely certain your success hinges on your eBook being available in every possible market, having your eBook with them will be an expensive venture. eBooks are updated regularly, and $25 each and every time adds up. Research the absolute hell out of the pros and cons of using their digital distribution services before you decide.
Their print service is exceptional, though. Truly top notch.
4.| If you’re an aspiring author and you’re not on Goodreads, hear this: Get on Goodreads. It’s powerful. Oh, and while you’re there, follow me. I ignored this valuable asset for far too long. You can do a lot of things here to set your book apart, like add video trailers, create quizzes and trivia for fans of your work. Have discussions with your readers in a way that other social media outlets simply can’t compare.
5.| I am not sure why I didn’t do this step, because I fully intended to, but I wanted to send out 15 or so ARC (Advanced Release Copies) to hopefully get some reviews before launch day. (This also would’ve alerted me to those formatting errors, too.) This was a monumental mistake on my part. Don’t be like me. Send out ARCs.
At the end of the day, you know what? I have a book. Relatively few people can say that. Even if you make every single mistake I did (Don’t, because you’ve read about them now) and you have a completed book that you’re proud of, that is an amazing thing! Don’t let a few mistakes and bumps along the way cause you to lose sight of your accomplishment. Dig your heels in, do your best to make it right, and make a vow to do better next time.
I’m taking a little reprieve from the A-Z Series. I’ll pick it up again in the first week of August, and I’ll post a few each week to get caught up. Let me say that I have really enjoyed writing that series so far. It has given me the chance to get to know some seriously cool authors and read some amazing work, but I have a few really good reasons for the break:
1.| I should launch a new website this week. It’s actually ready and awaiting publication, but I’ve changed hosting companies and I’m waiting for them to sort their crap out. (When this launches, I will be giving the novelette No More Running, prequel to SL&T, away to mailing list subscribers for free!) I am toying around with merging the blog straight into this website, but for now, I will still use Wordpress for all my blogging.
2.| I have my book completely laid out and ready for publication as well, both for an eBook format and for paperback. I, being the OCD person I am, am having one last go through the book, reading it on different media and aloud making the tiniest little adjustments, but I have to force myself to have a cutoff for this, and I’m looking at Wednesday. If I don’t give myself a cutoff, I will be stuck in this stage for the rest of my days.
3.| As per reason #2, I have been spending an exorbitant amount of time getting my cover, spine, and back cover designs the way I’d like them, which means I had to write a short Author Bio, and I am not exaggerating in the least when I say I would rather write a hundred novels than a single paragraph about myself.
The cover has evolved many times. Generally speaking, I create cover art for each of my books. I’m not sure why exactly, but it has become a part of my process. Each of the covers I have created have been designed in Canva, with a little tweaking in Photoshop afterward.
Whenever I work through a difficulty in a scene, I just tinker around with the corresponding cover design until I have it figured out. If I had to guess, this would be version 483.7, or somewhere in that vicinity. 😉
In anticipation of the book’s release, I thought I would take an opportunity to tell you a little bit of the behind the scenes information about the book and give a quick introduction to my main character’s family… and reveal which actors or actresses most frequently played them in my mind. Yes. I said that. (I’m only admitting to what every single one most of us do!)
| By the numbers|
The first draft of SL&T was about 82k words and it took me a whopping eleven days to write. Interestingly, my most productive day was 11k words. Also, the original chapter eleven was slashed from the book first. There was just something about the number eleven. I was very fortunate to have the time off from work which allowed me to write so much in such a short amount of time. I was also lucky that my husband didn’t walk out with as much as I talked about it and with the sheer volume of ideas I bounced off of him. I was very motivated to write this book. Now the book sits at around 76k words, broken into 40 quick chapters.
I knew early on in this book that it was going to have a sequel, which I’ve already gotten through about 1/3 of the way. I had gotten through it about 1/2 way, but then I had an epiphany about the way SL&T ended, and I rewrote so much, the sequel had to change shape. Well worth it in the end. I’m much happier with SL&T’s ending now.
| Other Tidbits – Warning: Contains Spoilers, however minimal | While this book is a far, far cry from autobiographical, there are a few parallels between myself and the main character, Briella Logan. Brie, as she’s called for short, is a chef. I’m a chef. She struggles with turning thirty. I unexpectedly fell apart over turning thirty. She struggles with whether or not she wants to continue being a chef. I had the same struggle. She’s very close with her father, who has precarious health problems. I’m very close with my dad, who has been in poor health since I can remember. (Brie’s dad calls her Pumpkin, my dad calls me Chickadee.)
The numbers in my book are [mostly] from something significant in my life. For example, the number 927 shows up in the book. That number is the date of my father’s very first heart attack.
| Introducing The Logans |
Briella Logan: Brie is the head chef of a popular restaurant called Table Twelve, she’s a workaholic who has been avoiding any sort of social life for quite a while, save for her best friend John. She lives alone in an apartment with a view of the water and the city of Nashville. She enjoys wine and British television. On the occasion she does go out with friends after work, she drinks to excess—something she hides from her well-to-do mother, Deidra. [Among many, Rachel Bilson probably had this role most often.]
Deidra Logan: Is somewhat of a socialite in Nashville, especially amongst the ladies in her Bible study group. She has high standards for her family, and generally isn’t shy about letting her daughter know when she isn’t living up to them. She’s a bit of a worrywart when it comes to her husband, and is known for elaborating. [Geena Davis or Sela Ward]
Geoffrey Logan: The head of the Logan family, Geoffrey, usually finds himself trying to keep some sort of tranquility in his family, as he is usually put in the middle between his wife and daughter’s arguments. He is a very calm, rational man who loves the outdoors and taught Briella early on the pleasures of camping and fishing. He enjoys golf as his health allows. [Kevin Costner. I don’t know why.]
I am brimming with so much excitement as this whole process is coming to a close, I am having to restrain myself from dropping some major spoilers. If you have previously checked out the prologue, which can be found here, please check it out again. Things have changed a bit.
As ever, thank you for stopping in. Sex, Love, and Technicalities will be available this month, and you can bet there will be some giveaways centered around the launch, so check back!